Buddhism as in Performance: Analysis of Meditation and Theatrical Practice: 11 (Emerging Perceptions in Buddhist Studies)

Book Details:

• Author: George, David R.
• Brand: D.K. Printworld Pvt. Ltd.
• Edition: 1
• Binding: Hardcover
• Number of Pages: 234
• Release Date: 31-05-2000
• EAN: 9788124601235
• Package Dimensions: 8.7 x 5.7 x 1.0 inches
• Languages: English

About the Book:

In Buddhism as/in Performance, Professor David R. George embarks on a unique exploration of the art and concept of performance within Buddhism, with a special focus on Buddhist meditation and theatre. He delves into the epistemology of performance, examining the various connotations and nuances of the term. His study spans an expansive geographic and cultural range, covering Buddhist theatrical practices in regions such as Sri Lanka, China, Japan, Nepal, and Tibet.

The book identifies three distinct types of Buddhist theatrical practice, each aligned with one of the three main paths in Buddhism:

1. Karma Path (Hinayana)
2. Bodhisattva Option (Mahayana)
3. Enlightenment (Vajrayana)

Through these paths, the author explores the cultural expressions of Buddhist performance across these regions. He highlights notable examples such as the Sri Lankan Kandy Dance, Karma Drama, Tibetan Chams and Chod, and Japanese Noh.

Supported by in-depth endnotes and bibliographic references, George presents a comprehensive analysis of Buddhist performance, making the work an essential resource for drama studies and those interested in Buddhist cultural practices.

About the Author:

• David R. George is a noted scholar in the field of Buddhist studies and theatre arts. His research focuses on the intersection of Buddhism and performance, exploring how theatrical practices reflect the cultural and spiritual beliefs of different Buddhist traditions. With expertise in the epistemology of performance, George's work provides insightful contributions to both Buddhism and drama studies.