Hindustani Music and the Aesthetic Concept of Form: No. 1 (New vistas in Indian performing arts, No. 1)
Hindustani Music and the Aesthetic Concept of Form: No. 1 (New vistas in Indian performing arts, No. 1) is backordered and will ship as soon as it is back in stock.
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Book Detail
- Author: Anjali Mittal
- Brand: D.K. Printworld Pvt. Ltd.
- Edition: 1
- Binding: Hardcover
- Number of Pages: 174
- Release Date: 30-04-2000
- EAN: 9788124601341
- Package Dimensions: 9.7 x 7.3 x 0.7 inches
- Language: English
Description:
With its roots in the Samaveda, which regards it as a ‘divine art,’ Indian music boasts a rich and illustrious tradition. Over centuries, it has evolved through diverse influences into two major classical systems: Hindustani and Carnatic. In the growing body of literature on Hindustani music, Anjali Mittal’s work stands out by adopting a unique perspective—the lens of contemporary Western aesthetics.
This monograph is the first of its kind to examine the concept of form in Hindustani classical music. The book offers an analytical study of select compositions from various vocal genres such as dhruvapada, dhamar, tarana, vilambit, and drut khyal. It also presents an in-depth analysis of drut tanas through notation and linear diagrams, a distinctive feature of this study. Additionally, the book explores rhythm cycles and patterns, enriching the reader’s understanding of the structural nuances of Hindustani music.
Written in clear, accessible language and thoroughly documented, this book covers essential topics such as aesthetics, artistic expression, and the concept of bandisha (musical composition). It is an invaluable resource for those seeking a deeper analytical comprehension of Hindustani classical vocal music.
About the Author:
Anjali Mittal is a scholar and researcher in Hindustani classical music. Her work provides a fresh perspective by incorporating elements of contemporary Western aesthetics in the study of Indian music. Through her detailed analysis and structured approach, she contributes significantly to the academic discourse on Indian classical vocal traditions.