What is Film Theory?: An Introduction to Contemporary Debates

Book Details

• Author: Richard Rushton

• Publisher: Rawat Publications

• Language: English

• Edition: 2012

• ISBN: 9788131604618

• Pages: 218

• Cover: Hardcover

• Package Dimensions: 9.8 x 6.5 x 0.8 inches

About the Book

What is Film Theory? provides a comprehensive and engaging introduction to the major debates in contemporary film theory. Spanning over the key theoretical concepts, perspectives, and traditions that have shaped the discipline since the 1960s, this book critically examines the contributions of prominent film theorists and philosophers. Designed to be both accessible and informative, it walks the reader through the central issues and arguments in the field, making it an indispensable guide for both students of Film and Media Studies and general readers interested in film theory.

The book covers a wide range of topics, beginning with an exploration of structuralism and semiotics, then moving through key discussions on psychoanalysis, feminism, Screen theory, and cultural studies. It further delves into post-theory, cognitivism, historical poetics, and recent developments in the field such as audience research and the ‘cinema of attractions’. Each theoretical approach is illustrated with case studies from classic and contemporary films, including Singin’ in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are enriched with illustrative film stills, helping to bridge theory and practical analysis.

Whether you’re a student aiming to understand film theory or a film enthusiast curious about how film theorists interpret cinema, this book will provide you with a deeper understanding of the debates that have shaped the way we think about film.

Key Themes Covered:

• Structuralism and Semiotics

• Psychoanalysis and Feminism in Film

• Screen Theory and Cultural Studies

• Post-Theory, Cognitivism, and Historical Poetics

• Audience Research and Cinema of Attractions

• Case Studies on Iconic Films

About the Author
Richard Rushton and Gary Bettinson are both lecturers in the Department of Media, Film, and Cultural Studies at Lancaster University, UK. They have extensive experience in teaching and researching film theory and have authored numerous works on the subject.