Shringara and Bhakti: Sacred and Profane Love at the Court of Orchha; Orchha, Datia, Panna; Miniatures from the Royal Courts of Bundelkhand 1590-1850 (2)
Shringara and Bhakti: Sacred and Profane Love at the Court of Orchha; Orchha, Datia, Panna; Miniatures from the Royal Courts of Bundelkhand 1590-1850 (2) is backordered and will ship as soon as it is back in stock.
Couldn't load pickup availability
Genuine Products Guarantee
Genuine Products Guarantee
We guarantee 100% genuine products, and if proven otherwise, we will compensate you with 10 times the product's cost.
Delivery and Shipping
Delivery and Shipping
Products are generally ready for dispatch within 1 day and typically reach you in 3 to 5 days.
Book Details
-
Author: Konrad Seitz
-
Publisher: Niyogi Books
-
Language: English
-
Edition: 2024
-
ISBN: 9788119626007
-
Pages: 259
-
Cover: Hardcover
-
Dimensions: 12.1 x 9.7 x 0.9 inches
About The Book
Orchha, Datia, Panna: Miniatures from the Royal Courts of Bundelkhand (1590–1850), Volume II, delves into the rich artistic tradition of Orchha painting from 1605 to 1675. Focusing on the mystical and playful love between the iconic couple, Krishna and Radha, this lavishly illustrated book explores a central theme in these miniatures: the harmonious blend of sacred and profane love. This unique confluence is what makes India’s culture and art so distinct, and it is beautifully portrayed through the paintings featured in this volume.
The paintings, many of which are published here for the first time, were created to illustrate poetic works such as the Rasikapriya, a significant text written by Orchha’s court poet, Keshavdas. Through these poetic works, Keshavdas invites readers to indulge in the aesthetic and religious joy of Radha-Krishna's love, using lyrical language that reflects the vernacular of his era.
In this book, the author, Konrad Seitz, presents an in-depth analysis and interpretation of over 100 paintings, shedding light on the achievements of the Orchha school of painting at its peak during the 17th century. Each painting is examined stylistically, offering insight into the artistry and cultural context that influenced the visual language of the time.
Orchha, Datia, Panna: Miniatures from the Royal Courts of Bundelkhand is not just a historical study but an immersive journey into the world of Indian art, poetry, and mythology. This volume will captivate art lovers, historians, and anyone with a deep interest in the mystical traditions and artistic legacies of India’s royal courts.